Live fast, die young… #badgirlsdoitwell… Maya Arulpragasm – like the Mayans – had it right… even when wrong:
It turns out that the Mayans had it right. History is a giant alarm clock. As the bell starts to ring, we awaken from the dream, and remember who we are.
Bad Girls… from Eve and Mary (and Magdalene), to Cleopatra and Nefertiti, from Frida and Josephine, to Eleanor and Marilyn – are the backbone of wake-up calls and real talk, courtesy of rogue revelry. #doitwell
Top-to-Bottom two cents #topback: History is a giant alarm clock, and discographies are giant phonographs… as the bell starts to ring, and the needle hits the groove, we awaken from the scene, and remember who we are… Here, Maya got back into the groove: Kala style.
Continue reading The Reel: “Bad Girls” – M.I.A., Romain Garvas
Oh that Madge… I can’t help it, I’ve got the biggest Cheshire grin plastered above my chin right now…
See the thing about it is, I wanted to not like this video – hear me out: I wanted to not like this video because after the hoopla and hype, after the media blitzes and reductionism, this era was gearing up to be the bark of Confessions with the bite of Hard Candy #notgreat then, there’s the distractions and the white noise pulling attention from the product at hand and towards the peripheral gossip… in a nutshell: I was ready to not like this video for the same reason I was gearing up to not like Born This Way – because people were going GaGa over Madonna; but lo and behold… Pop never lets you down.
Continue reading The Reel: “Give Me All Your Luvin’” – Madonna, MegaForce, Nicki Minaj, M.I.A.
Where we left off with the sonic schizophrenia of Kenna’s face, we now delve into M.I.A.’s socially schizophonic scape. Maya Arulpragasam came onto the scene in 2005 with her debut, Arular. M.I.A. mirrors the past – leading by sample – and marks the future. From sound to sentiment to style, she lays the groundwork for the new underground of which she spoke in NME
In people’s hard drives and their brains, it just hasn’t been outputted yet. We need a digital moshpit like we’ve never seen, harder than how people were doing it in the punk era. We need that energy, but digitally. It’s coming.
On the brink of her third album, and a superficial rebirth, it’s important to see that we still have the same M.I.A. – with the same perspective – in a different package.
Arular came out when I was a freshman in college, and – in conjunction with the urban landscape of Manhattan as my backdrop – was instrumental in my musical maturation. Just as New York is a microcosm of the world, so Arular was a concentrated synthesis of sounds and global societies. Just as I was cementing my identity as a world citizen, so M.I.A. was constructing our cultural identity.
Continue reading Unforgettable, Vol. 13: M.I.A. – Arular