Tag Archives: Jay-Z

#andscene: ep. 1.24.27

mood: switching those brights up, #lights up.

ring: ain’t no love, in the heart of the city, ain’t no love in #hollywood town… quite like the spotlight, when the sun goes down…

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my-fi: ep. “swiper”

I’m an interesting one, like many. I love and live my music. Music is the score of said life. So, a playlist sonic biography of the slightly younger, significantly wiser self.  Mood music … immune muses … Just a spin in the soundtrack of swipe’s life… Enjoi.

I see in sounds: my selfie is a soundtrack.

The (S)tar Spangled Banner – Whitney Houston [1991]

Pledge allegiance. The dawn, the genesis. Born stellar.

(W)ho Do You Think You Are – Spice Girls [1996]

When this launched, who did I think I was… who did I perceive myself to be… well, I was a bouncing Baltimore baby, the charmed second, bite-sized cerebral stellar body in orbital training, traversing the globe from within the four walls of my elementary boudoir. Reach up, maintain soul, get down, claim control… move, swing, shake, for life, for lyric, for rhyme, or reason (whichever’s in season): a la mode, a la monarchy, nine years young, forever the groovy one… cheers.
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re:play : Cowboy Boots on the Sunset Strip, Scalp the Roof Off the German Whip… Party in the U.S.A.

Quick little playlist to pulse the pavement… like when Blow Pops met the blacktop, or Hov met Hannah Montana #andajayzsongwason

Cowboy boots on the Sunset Strip, scalp the roof off the German whip… fringe element patriots don’t need you or your brand new Benz, or your bourgie friends… numb to love, blinded by diamonds… from Parisian royalty to glitterbombed PWT, these stars’ scars stay shining… plummeting to new depths of depravity, fame is the new america… classless, priceless, from the brink of Bed Stuy to the belly of the map, a playlist fit for Plymouth Roc, a bacchanalian beat for Benedict Arnold #whentheunitedwentcrack

I hopped off the plane at L.A.X.
With a dream and my cardigan…

Continue reading re:play : Cowboy Boots on the Sunset Strip, Scalp the Roof Off the German Whip… Party in the U.S.A.

The Prophiles: The Parisian Throne

As much the Four Evangelists as they are the Four Horsemen of the Apocalypse, Britney, Jay-Z, Kanye, and GaGa – our proud and prestigious pillars of Pop – stood tall and held rapturous court as the cause and cure for our ailing culture…

Matthew, Mark, Luke, and John… Jay, Ye, Britney, and GaGa: these four testified in an entirely new way on behalf of the perceived social savior. They worship the abstract – The Throne, The Fame, The Monster, The Femme Fatale – whatever it is they boast on behalf of – and simultaneously battle against – is irrelevant, as that vice and vise is always internal first. They are their own Christs and Anti-Christs.

The Throne is post-colonial, it is secular, and so very sacred and religious… it bows before the masses and any true messiah, and as much as it blasphemes with every waking breath.

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Unforgettable, Vol. 14: DJ Danger Mouse – The Grey Album

Venturing out of the kaleidoscopic jungle fever pitch of M.I.A.’s Arular we find ourselves at the concrete crossroads between Brooklyn’s Marcy Projects and London’s Abbey Road with DJ Danger Mouse’s brilliant return to basics, the masterful Jay-Z versus Beatles mash-up, The Grey Album. The Grey Album is a cataclysmic crux of two epic absolutes: The Beatles’ White Album and Jay-Z’s Black Album with the rhapsodic rodent at the helm. Burton blurs the lines and illuminates the bonds between good and d’evils to create a gritty grey area – platinum records sans the shine.

The Grey Album is a cultural reflection and blueprint. It is a hybrid of two artistic absolutes: Jay-Z’s Black Album as the pitch black to which he faded – the close to a career, the retirement, the sendoff, the assumed end; The Beatles’ White Album as their rebirth – the first album after the death of their manager Brian Epstein, and the first album on their own record label Apple – donning a pure white album cover with nothing but “The BEATLES” in black. The mash-up flips the roles and sees Hov’s requiem lyrics as a renaissance.

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Art Nouveau Presents: Sunset Chimps-Élysées (VMA 2011 EP)

Welcome to VMA 2011: no host, west coast, teenage dreams, saccharin-infused schemes – welcome to the odd future #bonjournaggers

At this juncture it’s safe to say we’re all slaves to the throne… some of us, say it better than others #namelythus That said, it’s safer to say we’re all slaves to a throne of indentured servants, who may or may not even belong at said royal table… #kanyeshrugsandotherthugs Who says you can’t ball out when the bottom falls out? Not America – because these colors don’t run; but if not these colors running the world – then who? #girls That said, every court needs a jester, or Jordan #jacksontyson #takeyourpick #six so for this year’s VMAs – the world is a soundstage, the stars are in the building, and amidst the bevy of deafeningly adamant ambiguity we have a soundtrack to keep the beat right on par with said backdrop: VMA 2011 EP – Welcome to the Beautiful Dark Twisted Sunset Boulevard of Golden Schemes and Silver Screens…

Blinkkit: “We’re going to skate to one song, and one song only.” This year the throne came home – and by home I mean industry royalty reflected “those ones.” You know… the ones who shouldn’t have been here at all – The Help that helped themselves to a seat at the table. When banks are broke, the broke make bank #namely.

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