Tag Archives: Dance Music

re:take ep. 1: pneumatose

SC POP

I date many things… cities, sounds, dreams. These things happen. When I date sounds, it is a full-stop courtship: get to know their interests, their background, their dreams, with whom they engage, do they have siblings, where do they post up to get down – can they read. These things. Eventually, the dalliance fades and something worthwhile is made. Eventually, we mix a master, and reverberate rhythms of the most loyal low-fidelity.

All of this is to say, I mingle with sonic musings. I’m a made match for muses. What does a first date sound like? Like the first take. It’s slow on the uptake, but fairly deliberate. It finds a track it grooves with, and explores it from myriad angles, pitches, and plays. We talk about life, shared experiences, we find lyrical camaraderie and beat-driven commonality. We find freedom in the music. There’s liberation in improvisation. You take an understood foundation and say: “I know you, you know you – here’s how I hear you, here’s how you appear to my ears… Here’s how the finished product unravels into the unknown.”

It gets weird. It remains inspired. It leaves few scores unsettled. It’s somewhat manic. It’s experimental. It is not interested in how you move, more so in the guarantee that you move and what compels you to move at all. It, takes, its, time.

Continue reading re:take ep. 1: pneumatose

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re:verse : “PARTYNAUSEOUS” – Lady GaGa

Good music speaks volumes… listen, look, and linger in fantastic rhythmic reality: lyrically speaking

“PARTYNAUSEOUS,” artRAVE (2014)

Hi, I want to come and make peace with you
but they won’t let me, no, they won’t let me through
I don’t mind if they a-arrest me
’cause I’m wearing my Versace


Why can’t we just put on a smile
and a buzz buzz buzz buzz? We all might be sick
Whether it’s at first or after a few
drinks; we’re gonna unite, don’t they?

Continue reading re:verse : “PARTYNAUSEOUS” – Lady GaGa

The Prophiles: Electric Zoo, #primacyprojectionmetasonic

September 13, 2010

Nestled halfway between Harlem and Brooklyn lies Randall’s Island.  Labor Day weekend the islet transforms into a beautiful blend of Wonkaland and Woodstock, Sodom and Gomorrah, Israel and Ibiza, Pleasure Island and Neverland – a hybrid between that Pinocchio place where lost boys find themselves and where Peter Pan’s lost boys aimlessly meander… all perpetuated by the most nourishing of all life fuels… music – electronic music.

Somehow, someway, the past, present, and future of music made their collective way to this halogen Haus of worship. My journey no doubt veered from the norm, but when the clandestine is commonplace, all odd experiences are good. I was like a kid in a candy store – no matter where I went, there I was, with a sugar-rushed stranger and makeshift chaperone there to guide me along from one aisle to the next. Though the guide may not know where you’re coming from, or how to get to where you’re going, they know your destination. One second you’re lost in Manhattan, and the next you find yourself MapQuesting directions from the UES to Randall’s Island, and then you’re watching hipsters take cabs to Harlem bus stops – simple foreshadowing that no matter how far “above” those kids one is – no matter how objectively I scoff at their ways from a far more worldly and morally superior place – we’re all the same entitled Gen-Yers… making our way from decadence to debauchery by way of urban decay.

Continue reading The Prophiles: Electric Zoo, #primacyprojectionmetasonic